Showing posts with label tv. Show all posts
Showing posts with label tv. Show all posts

Saturday, January 23, 2010

The Late Shift II: The Rolling Thunder of Revenge

For those of you looking for a summary of NBC's Late Night fracas, look no further than this animated recap from Taiwan:



(For real clips that you might have missed from all the Late Night shows, see Gawker TV or Vulture.)

[Post title courtesy Mr. Quentin Tarantino]

Sunday, February 8, 2009

Super Bowl Commercials 2009

One week later, here's my take on 2009's notable Super Bowl commercials.

The Good
  • Audi — The Chase: Jason Statham helps Audi take a stab at its competitors, saying that while previous decades might have been owned by Mercedes-Benz, BMW, and Lexus, it's now time for the four rings to shine. It doesn't hurt that the car itself is one slick beast.
  • CareerBuilder.com — Tips: I agree with everyone who says that this ad got tiring after the first 30-45 seconds, but in terms of getting people talking, it was second to none. Watch twitter explode when it airs, in The New York Times' interactive tracker (click "Talking about ads").
  • Cars.com — David Abernathy: This type of ad has been a trend recently (e.g., Dos Equis' "Most Interesting Man in the World" ads), but I can't argue with the result here, even if it was a bit disappointing, for some reason, to find out that it was for cars.com.
  • Hulu — Alec in Huluwood: I love 30 Rock and I love Hulu, and I love 30 Rock on Hulu, and I don't love this ad, but I like it a lot.
  • Monster — Double Take: Simple, well-crafted, and clever. It easily got a laugh out of me.
Honorable Mention
  • Bud LightSweden: Conan O'Brien + Japandering in Sweden (Swedepandering?) is a great starting point for comedy, but Bud Light's typical frenetic editing left the overall commercial a bit lacking.
  • Coca ColaAvatar: You can always count on Coke to bring the harmless but fun branding ads. "Avatar" is a take on our increasingly virtual connectedness, and the power of physical contact. Also, pretty girls are gamers too!
  • H&R BlockDeath & Taxes: Something about the tax services provider's ad stood out to me over many other equally eligible candidates. It must be the Abe Vigoda.
  • Miller High Life1 Second Ad: If this really aired during the broadcast, then I missed it, but it's a concept that always gets a response when I mention it to people. As expected, it's just one small (but expensive) part of a bigger overall campaign.
  • PepsiRefresh Everything and Pepsuber: The Pepsuber ad (with Richard Dean Anderson) probably wasn't very funny unless you've been following the recurring MacGruber sketches on SNL (and even then, maybe not, for many people). Combined with the aspiring-to-be-anthemic "Refresh Everything" ad, though, it was a decent one-two punch for Pepsi. Still doesn't make up for the logo downgrade ...
The Bad
  • Cash 4 GoldEd McMahon & MC Hammer: Setting aside the fact that the shady company is basically a scam, it was pretty sad to see the hard-for-cash Ed McMahon (fresh off a stint rapping for FreeCreditReport.com) and MC Hammer trying to make the funny, though there are chuckles to be found.
  • CastrolGrease Monkeys: There are worse ads that I could have put on my list (I'm glancing at you, Doritos). Indeed, the production values here aren't even that bad. It just seems like they took the path of least resistance. I kept waiting for the punchline, and all I got was a man-on-chimp smooch. That's not going to cut it, Castrol.
  • GoDaddy.com — [all of them]: Scraping the bottom of the barrel again. I wonder what Danica Patrick gets paid for these ads.
  • Jack in the BoxHang in there Jack: On the whole, I'm a big fan of the long-running campaign featuring Jack Box. This one had some nice touches — did you notice the angel on the store window in the final shot? — but it and the associated viral campaign seem wholly unnecessary to me. Or, maybe I just can't stand the thought of Jack not making it!
  • SobeLizard Lake: It's the second year in a row that SoBe has wasted its money on these pointless dancing lizard ads. Adding 3-D, football players, and ballet only made it worse. Whenever I see these ads, I can just picture the marketing meeting from which this mish-mash of bad ideas emerged. The focus groups must dig it or something. On the other hand, I credit them for being way above GoDaddy.com's level.

Now you've heard from me. What's on your list?

Sunday, November 23, 2008

Eat the Head!

Have your birthdays been, well, a bit dull lately? Try being this guy.

Head tracking without a Wii.

Head tracking with a chicken. (+ superz-kyut follow up)

Yao's favorite food.

(first three videos via Waxy)

Monday, November 17, 2008

Midnight Movie News

That's "movie news at midnight", not "news about midnight movies"!

The Good: Jeffrey Tambor hints that the Arrested Development movie might finally be happening!

The Bad: Sir Ridley Scott — director of Alien, Blade Runner, and Gladiatorwill indeed direct the feature-film adaptation of Monopoly. Yes, that Monopoly.

The Ugly: Much to alliesglove's chagrin, Jaden Smith (son of Will) is officially the new (wannabe) Ralph Macchio, in a remake of The Karate Kid ... set in China!?

Saturday, July 26, 2008

Theme Park Thoughts

Due to a steady stream of visiting relatives, I make an annual or biannual pilgrimage to various Southern California theme parks. Here are some of my thoughts from the latest round of trips:

Universal Studios Hollywood — The Simpsons Ride

The Simpsons Ride takes over the area previously occupied by Back to the Future: The Ride, and continues the earlier attraction's tradition of entertaining motion simulation.

The ride's concept is that the Simpsons (including Grandpa Abe!) are visiting Krustyland, a cross between Disneyland and the shadiest carnival you've ever been to. Their outing turns into an adventure after escaped convict Sideshow Bob takes over the park and attempts to kill Bart and his family — and you — for always foiling his plots to take revenge on his former employer, Krusty.

The best part of the ride is the line. Nothing makes an hour go by faster than watching the numerous flat-panel displays placed throughout the queueing area, which show a mix of The Simpsons' funniest moments (with a heavy dose of amusement park parodies) and clips created exclusively for the ride. As you get closer to the end, the fun continues, particularly in one room where it looks like Apu, Groundskeeper Willie, Patty & Selma, and Hans Moleman are life-size, within booths, talking to the guests. Also, don't miss the park map, and the circus-style posters for Krustyland's various amusements, including everyone's favorite, the Yard Work Simulator.

Homages to Back to the Future don't stop at the rib-tickling Doc Brown cameo in one of the clips shown in the line. The ride itself is essentially the same as its predecessor, down to the number of people in the vehicles and the domed IMAX screens. Of course, the technology has been updated and there's more spraying of water and baby powder aroma, but that goes with the times.

People who remember the old ride (which you can watch in its entirety over on "the You Tube"; intro clips: 1, 2) will note the many similarities, including parts where you're flying over a city, entering into a giant creature's mouth, and nearly falling into the burning lava pits of hell. Truthfully, the newer ride is a bit harder to follow, as it has much more dialogue and random scene changes, compared to the simpler chase structure of the old ride. That may just encourage repeat visits, though, as there are many in-jokes and visual puns to take in. I'm also not a fan of the third dimension that's added to the animation once you're actually on the ride — if it's going to end up being like watching a giant PlayStation 2 game anyway, why not pay Rough Draft Studios the extra bucks to get the clean-looking cel-shaded 2-D/3-D blend of The Simpsons Movie and Futurama?

Personal preferences aside, The Simpsons Ride is a worthy successor to Back to the Future: The Ride, and is probably more enjoyable for anyone who doesn't remember or isn't nostalgic for Marty McFly, Doc Brown, and the DeLorean. Even if motion simulation isn't your thing, you'll laugh all the way to the ride. If not, well, don't expect Krusty to give you your money back.

Disneyland — Innoventions

By far the coolest thing at Disneyland's Innoventions — the building in Tomorrowland that you've probably never been into unless desperate for A/C — is Honda's ASIMO robot. I'd watched many video clips and photos of ASIMO, but seeing it in person left me even more impressed, if not fearful (of the inevitable bot uprising).

After viewing a brief video about the history of automatons and robots, which includes humorous montages of lame 1950s B-movie monsters and early experiments in robot walking (picture a metallic ostrich, drunk), the curtains open to reveal the living room of a house. In walks a Kirsten Dunst stand-in, who explains that she just received her new ASIMO and wants to show us what it can do. After a few more moments of suspense, ASIMO enters and the auditorium's collective jaw drops.

What follows over the next 20 minutes is a demonstration of the mechanical man's various capabilities: walking forward, backwards, and sideways; kicking a soccer ball, stretching, and running; dancing; and the highlight of the show, ascending and descending stairs. The movements are deliberate, but smooth. I could do without the cheesy dialogue that connects each demo, but I suppose Disney is going for a 1950s World's Fair vibe.

While I'm sure ASIMO needed some custom programming for a show like this, many of the actions seemed to make use of its voice recognition, as the hostess would often make sure to look straight into its camera eyes and use specific phrases like, "ASIMO, why don't we show these people that you can also walk sideways?" Once in a while, the TV screens would show live footage from the cameras, superimposed with graphics that ostensibly show the object recognition at work. ASIMO also speaks, with the voice of a young boy. Fear not, though, child voice actors, it will be a while before you're out of a job.

As an engineer, it's hard not to be dazzled by ASIMO, knowing how difficult it must have been to create. Everyone else in the auditorium couldn't take their eyes (and cameras) off it either. It may ultimately just be an expensive toy, a fancy version of the Robosapien or Pleo that kids are playing with these days, but it's also an inspiring achievement of science and technology. We're not yet living in the future that was promised 50 years ago, but ASIMO is one step forward (pun intended) in that direction.

As for Innoventions in general, I would say that the only other thing worth checking out are the Segways, which you can learn to ride, for a minute or two. The "aging mirror" might be good for a few laughs as well. The rest of Innoventions is no more impressive than your local Best Buy, in my opinion. I'll grant Disney that visitors from some places might be impressed by the "house of tomorrow", with its HP Vista Media Center PCs (some stuck on the hourglass cursor), Xbox 360s, and Microsoft Zunes (yes, really). Most people, however, will find the conceit that they're being shown "not wild ideas that may fail, but futuristic technology that you can buy today" to be a thin veil over the truth that it's just a place to showcase sponsors' products, many of which aren't very futuristic at all. I can't tell you how many people I saw walking up to the touch screens attempting to pinch-and-zoom or multi-touch, leaving disappointed. Kids might like playing some of the games, but did you really spend hundreds of dollars on Disneyland admission so that they could play the same Guitar Hero they do at their friends' houses?

I won't go as far as saying that Tomorrowland has become Todayland. I will say, though, that Innoventions needs more things like ASIMO and Segway, or even the Siemens "Project Tomorrow" exhibit (scroll down), if it wants to be something more than a place to sit down for a while and escape from the heat.

Monday, May 19, 2008

The Japanese Office


Ricky Gervais: "It's funny ... 'cause it's racist."

Wednesday, May 14, 2008

Dating Advice

McSweeney's lists good dating advice, taken from a GameFAQ for GTA: San Andreas. Some advice from the FAQ that's funny when taken out of context:
Just because she says she likes something doesn't mean that it's true. You are usually better off doing the opposite of what she says.
Perhaps if she's related to George Costanza ...
If you were going out with the girl and you killed her on a date, then you're in a situation similar to if you were dumped.
Um, "similar" is one word for it ...
It might be that some kind of event triggers phone calls, as you can often stand outside a girl's house for weeks without getting one.
The number she's calling at that point is probably only three digits long ...
The best haircuts for sex appeal are the cornrow, blonde cornrow, groove cut, and detail cut. Haircuts that give no boost to sex appeal include pretty much any that involve coloring (other than blonde) and the Elvis hair. Afros, mohawks, and goatees tend to give pretty low boosts as well.
Elvis hair, no sex appeal? You sure about that?
Gaining fat is easy. Just go to the fast food restaurant of your choice, and order up to 11 of the biggest meal they have. Don't have more than 11 meals in a 6-hour period though, or you'll vomit and gain nothing.
Profound.
The third basic type of date outcome is an abandon date. [...] The easiest way to do this is to get into a car, and then quickly drive away before your girlfriend can get in. [...] This is just like a failed date, but faster.
I can't tell you how much time I've saved over the years doing that ...
Yes, you can date all of the girls at the same time, and I recommend that you do.
Easy for you to say!
Clearly you both enjoy coffee a lot.

Sunday, February 24, 2008

There Will Be Speeches

A couple of my fellow bloggers and I saw over 10 hours of movies yesterday, as part of AMC's Best Picture Showcase. There was a diverse audience, composed of people who want to see good films even if they may not like them, who get into the films enough to respond outwardly, and are ready to chat about them while waiting in line at the concession stand or when milling about between films — the best kind of audience, in my opinion. It was a fun experience, and I hope they continue to do it every year.

As for the Oscars themselves, here are George Clooney's picks:
Picture: No Country For Old Men
Director: Joel and Ethan Coen (No Country For Old Men)
Actor: Daniel Day Lewis (There Will Be Blood)
Actress: Julie Christie (Away From Her)
Supporting Actor: Javier Bardem (No Country For Old Men)
Supporting Actress: Amy Ryan (Gone Baby Gone)
Original Screenplay: Diablo Cody (Juno)
Adapted Screenplay: Joel and Ethan Coen (No Country For Old Men)
Cinematography: Robert Elswit (There Will Be Blood)
I'm inclined to agree with Clooney's picks, although the Actress categories are up in the air for me. The winners could easily be Marion Cotillard and Cate Blanchett, or Laura Linney and Saiorse Ronan (OK, maybe not that far). Also, I wouldn't count out cinematographer Roger Deakins, who's shooting for his first Oscar (he's up for two films). I'll go out on a limb and say that Ratatouille will win for Animated Feature, although I wouldn't be too surprised to see Persepolis take it. I've seen both, and they're great in their own ways.

SNL was back last weekend, and here's its spoof of the Oscar nominated films:

You can also consider the latest Digital Short a movie spoof as well. (Not a movie spoof: Tina Fey and Steve Martin brought the funny in the monologue.)

Thursday, November 8, 2007

What's wrong with Heroes Volume 2?

Heroes fans, do you agree with creator Tim Kring's assessment of where volume two (the first half of season two) went wrong?

Sunday, October 28, 2007

Sometimes Steal Music

Remember, kids: Don't steal music.*

*Unless you use it — along with video copyrighted by Apple — to make your own clever ad for the iPod touch, which the company's longtime ad agency, TBWA\Chiat\Day, spots on YouTube and remakes into a broadcast version, with you at the helm. Also, it helps if the song you steal is hip, catchy, and has a lyric that seems to reference the product.

Update: Don't worry if the song has already been used in a bizarre ad for a competitor's product.

Sunday, October 7, 2007

Supersize Me TV Shows, Laddy

I've been following along with the U.K. sitcom The IT Crowd. I think it's funny, though not "DRM-bustingly" so, as Cory Doctorow might say. And definitely on the traditional side — more Are You Being Served? than The Office. The show recently finished its second series of ... 6 episodes? Counting the episodes from the first series, that makes a grand total of ... 12 episodes!

Now, we Yanks may be known for our outsized motor vehicles, Coke cups, and waistlines, but this is one area in which I feel that excess is warranted. It really says something about the talent and productivity of the industry when a good U.S. sitcom can run for over a decade, with three to four times as many episodes per season as it would get in the U.K., and be consistently funny over that span. This probably has to do with budgets and the sizes of writing staffs, but I wants me my Arrested Development and 30 Rock, you know what I mean?

Am I just flag-waving here, or do the numbers back up my sentiments? Here's a table to look at:
U.S. ShowNo. SeasonsTot. EpisodesU.K. ShowNo. SeriesTot. Episodes
Cheers11273Absolutely Fabulous536
Curb Your Enthusiasm658Are You Being Served?1069
The Cosby Show8201Blackadder424
Everybody Loves Raymond9210Dad's Army980
Frasier11265Father Ted325
Friends10236Fawlty Towers212
The Larry Sanders Show689The Office214
M*A*S*H11251Porridge320
Roseanne9222Spaced214
Seinfeld9180Yes Minister/Yes, Prime Minister538
Source: Wikipedia

Note: all shows chosen arbitrarily, by me, though I did look at these Wikipedia articles: 1, 2, 3, 4.

Clearly, the U.S. wins in terms of quantity (episodes per season, number of seasons), though the HBO shows bring down the average a bit. As for quality, I leave that to the reader to decide. It's not like Fawlty Towers or The Office weren't considered hilarious or influential on this side of the pond. And as for creativity, the U.K. did also provide America with the premises for The Office, Sanford and Son (Steptoe and Son), Three's Company (Man About The House), and All in the Family (Till Death Us Do Part). But I'm going to give the award to the Americans here, because it takes a lot of work to even come up with non-shark-jumping plotlines after 100 episodes, much less the classics that Seinfeld did.